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"Later, when I was searching for my own path, I chose, or at least tried to
choose, simplicity. I used essentially extremely simple compositions, extremely
simple colors which contained no sham significance. I made every effort
to discard what artists generally term painting, everything that was so
noticeable in Cezanne and the Impressionists - complex, obscure use of color
and a generally impressionistic, indeterminate attitude towards the subject
of the picture. I wanted definition. This is how I came to simple, curved
lines and simple color. But, as well as avoiding indeterminateness, I wanted
to make my color bright and utterly intelligible. It sometimes happens that
people mumble nonsense and we may suddenly, if we listen closely, discover
that there are some apparently intelligent ideas hidden in it. My aim is
that if I do have any intelligent ideas, they should not be hidden, but
be on the surface and clearly visible."
Oleg Tselkov |